Broadening horizons...
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‣ | ‣ | ‣ | ‣ | ‣ | ‣ | ‣ | ‣ |
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Dunkirk | |||||||
UK/US, 2017 | ‣ | ||||||
US, 1956 | Discussion of global film history | ‣ | |||||
US, 2017 | ‣ | ||||||
UK/India, 2008 | ‣ | ||||||
Germany, 2008 | ‣ | ||||||
UK, 2010 | Inspirational Genre Film Collection | ||||||
(varied selection of film clips from across time and cultures) | |||||||
A Tale Of Two Sisters | |||||||
South Korea, 2003 | ‣ | ||||||
US, 1982 | |||||||
Moonrise Kingdom | |||||||
US, 2012 | |||||||
Reservoir Dogs | |||||||
US, 1992 | |||||||
Baby Driver | |||||||
US, 2017 | |||||||
Blade Runner | |||||||
US, 1982 | |||||||
Toyland | |||||||
Germany, 2007 | |||||||
Ida | |||||||
Poland, 2013 | |||||||
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‣ | ‣ | ‣ | ‣ | ‣ | ‣ | ‣ | ‣ | ‣ |
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Pulp Fiction | ||||||||
US, 1994 | ‣ | |||||||
US, 1942 | ‣ | |||||||
US, 2020 | ‣ | |||||||
UK, 1996 | The Devil's Backbone | |||||||
Spain, 2001 | Night Mail | |||||||
UK, 1936 | ‣ | |||||||
US, 1920 | ‣ | |||||||
US, 2001 | Eduqas Short Film Collection | |||||||
(varied selection of film short films from across time and cultures) | ||||||||
We Didn’t Start The Fire | ||||||||
US, 1989 | ‣ | |||||||
US, 1967 | ‣ | |||||||
UK, 2020 | ‣ | |||||||
UK, 2007 | ‣ | |||||||
Spain, 2006 | Bowling For Columbine | |||||||
US, 2002 | ‣ | |||||||
US, 1920 | ||||||||
Cold War | ||||||||
Poland, 2018 | Discussion of global film history | Okja | ||||||
South Korea, 2017 | The War Game | |||||||
UK, 1965 | ‣ | |||||||
US, 1921 | ||||||||
The Story Of Film | ||||||||
UK, 2011 | Discussion of "French New Wave" film movement | ‣ | ||||||
South Korea, 2020 | Aileen: Life And Death Of A Serial Killer | |||||||
US, 2003 | ‣ | |||||||
US, 1922 | ||||||||
City Of God | ||||||||
Brazil, 2002 | ‣ | |||||||
UK/Cameroon, 2007 | Discussion of global film history | |||||||
Reservoir Dogs | ||||||||
US, 1992 | Discussion of “Soviet Realist” film movement | |||||||
The Grand Budapest Hotel | ||||||||
US, 2004 | Discussion of “German Expressionist“ film movement | |||||||
Discussion of global film history | Discussion of “US commercialist“ film movement | |||||||
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